William H. Johnson (1901 – 1970) painted his Fighters for Freedom series in the mid-1940s as a tribute to African American activists, scientists, teachers, and performers as well as international leaders working to bring peace to the world. He celebrated their accomplishments even as he acknowledged the realities of racism, violence, and oppression they faced and overcame. Johnson reminds us that individual achievement and commitment to social justice are at the heart of the American story.DescriptionEventsPublicationsInstallation ImagesVideosCreditStoriesLearning ResourcesMore InformationArtists
Description
William H. Johnson (1901–1970) painted his last body of work, the Fighters for Freedom series, in the mid-1940s as a tribute to African American activists, scientists, teachers and performers as well as international leaders working to bring peace to the world. This landmark exhibition brings together—for the first time since 1946—34 paintings featured in the series.
The exhibition illuminates the extraordinary life and contributions of Johnson, an artist associated with the Harlem Renaissance but whose practice spanned several continents, as well as the contributions of historical figures he depicted. Some of his Fighters—Marian Anderson, George Washington Carver, Mohandas Gandhi, and Harriet Tubman—are familiar figures; others—Nannie Helen Burroughs and William Grant Still, among them—are less well-known individuals whose achievements have been eclipsed over time. Johnson celebrates their accomplishments even as he acknowledges the realities of racism, oppression, and sometimes violence they faced and overcame. Johnson clues viewers to significant episodes in the Fighters lives by punctuating each portrait with tiny buildings, flags, and vignettes that give insight into their stories. Using a colorful palette to create evocative scenes and craft important narratives, he suggests that the pursuit of freedom is an ongoing, interconnected struggle, with moments of both triumph and tragedy.
The exhibition is drawn primarily from SAAM’s collection of more than 1,000 works by William H. Johnson, the largest and most complete collection of work by the artist, given to the museum by the Harmon Foundation in 1967. The museum, in turn, offered almost 150 paintings and prints to other institutions. As a result, historically Black universities, including Fisk, Hampton, Howard, Morgan State and others, have rich collections of Johnson’s work. SAAM has done much in the past 50 years to preserve Johnson’s art and establish his reputation by organizing exhibitions and installations of his work and an ongoing program of conservation for these fragile paintings.
Two paintings, Three Great Freedom Fighters and Against the Odds, are on loan from the Hampton University Museum of Art exclusively for the presentation at the Smithsonian American Art Museum.
The exhibition is organized by Virginia Mecklenburg, senior curator at the Smithsonian American Art Museum and Laura Augustin Fox, curatorial collections coordinator.
