Get an inside look into the mind of playwright Jeremy O. Harris as he deconstructs his provocative masterpiece “Slave Play” in a new documentary.


“Slave Play. Not A Movie. A Play.” is a bold and introspective documentary that dives deep into the creative process of playwright Jeremy O. Harris as he deconstructs his provocative, Tony-nominated play “Slave Play.” Directed by Harris himself, the film offers an unflinching look at the inspirations, motivations, and artistic challenges behind one of Broadway’s most controversial and groundbreaking productions.
“Slave Play,” which premiered on Broadway in 2019, follows three interracial couples undergoing “Antebellum Sexual Performance Therapy” as the black partners struggle with a loss of sexual attraction to their white partners. The play’s audacious approach to discussing race, sex, and power dynamics in interracial relationships has made it a critical success and a focal point of intense debate.
The documentary “Slave Play. Not A Movie. A Play.” mirrors the provocative nature of the original play, providing an intimate look at Harris’ creative journey. Through candid interviews, workshop footage, and behind-the-scenes glimpses, viewers gain insight into Harris’ uncompromising vision and his commitment to pushing the boundaries of theater. The film celebrates Harris’ unique voice and playful style, emphasizing his role as both a writer and director who isn’t afraid to challenge societal norms and theatrical conventions.
The documentary captures the essence of Harris’ work, showcasing his dedication to exploring uncomfortable truths about race and sexuality. It highlights the rigorous process of developing “Slave Play,” from early rehearsals to the intense workshops where new actors are directed by Harris himself. This behind-the-scenes access reveals the emotional and intellectual labor that goes into crafting such a daring piece of theater.
“Slave Play. Not A Movie. A Play.” also documents the polarizing responses to the play. It doesn’t shy away from the controversy and critiques, instead presenting them as an integral part of the narrative. The film includes genuine audience reactions and moments of conflict, offering a comprehensive view of the play’s impact on contemporary theater and society. The production’s “Black Out” nights, where performances were reserved exclusively for Black audiences, are particularly highlighted, illustrating Harris’ commitment to creating a space for Black voices and experiences in the theater.
With contributions from a talented team, including producers Chris Moukarbel and Natalia Leigh-Brown, editors Peter Ohs and Teki Cruickshank, and composer Isabella Summers, the documentary is a masterclass in storytelling. It seamlessly weaves together the personal and professional aspects of Harris’ journey, providing a nuanced portrait of a playwright at the forefront of modern theater.
Premiering on June 20 and available to stream on Max, “Slave Play. Not A Movie. A Play.” is a must-watch for anyone interested in the intersection of art, race, and social commentary. It is a nod to Jeremy O. Harris’ groundbreaking work and his commitment to challenging and expanding the boundaries of theatrical expression.
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