A Walk in St. Louis: A New African American Trail

Brickline Greenway seems to be spiriting the city in a positive direction. But as history proves in St. Louis, bringing white and Black people together is rarely a walk in the park.

The 630-foot-high Gateway Arch, which is at the end of a two-mile walk, is probably the most recognizable site on the Brickline Greenway in St. Louis.Credit…Michael B. Thomas for The New York Times

A few hundred yards from the entrance to CityPark, the splashy new soccer stadium in downtown St. Louis, another urban landmark looms: a cluster of hour-glass-shaped sculptures called “Pillars of the Valley,” by the local artist Damon Davis, that pays tribute to some 20,000 residents of a Black community that was forced from this location in 1959 to make way for a freeway. Standing amid its pillars on a recent afternoon, I leaned in close to read a former resident’s inscription in the stone: “What we lost in the destruction of our Mill Creek Valley neighborhood was a community we relied on to survive.”

Pillars of the Valley is one of several sites on the new Brickline urban walking trail, or “greenway,” that highlights the city’s Black presence. St. Louis loves its greenways. Two decades ago, voters passed a one-tenth-of-a-cent sales tax to create a special agency, Great Rivers Greenway, that would create these shared recreational pathways in order to make the St. Louis area “a more vibrant place to live, work and play.”

An array of stark, angular black sculptures are situated in the center of an urban plaza. The plaza is made up of large black and gray tile-like squares. Above the sky is bluish-white, and in the distance are urban buildings.
Along the Brickline Greenway, a cluster of abstract, angular sculptures called “Pillars of the Valley,” by the local artist Damon Davis, pays tribute to some 20,000 residents of a Black community that was forced to make way for a freeway in the mid-20th century.Credit…Michael B. Thomas for The New York Times

But Brickline, the agency’s latest brainchild, is as much a greenway as a public reckoning of the city’s racist history — and its impact on Black residents today. A work in progress, the Brickline’s creation was shaped, in part, by the 2014 riots in nearby Ferguson, Mo., and the police shooting of Michael Brown. When it is finished in 2030, 10 miles of new trails will connect 14 mostly Black St. Louis-area neighborhoods.

On a warm spring afternoon, I checked out the two-mile completed section of the Brickline, this portion a straight shot from the intersection of Market Street and 22nd Street to the riverfront’s iconic Gateway Arch.

A bronze sculpture shows a woman in skirt and jacket, briefcase in one hand and papers in another, with her head held up, striding purposefully. The sculpture is in a plaza surrounded by trees and park benches. In the background are tall, modern urban buildings.
A bronze sculpture of the attorney Frankie Muse Freeman, the first Black woman on the U.S. Civil Rights Commission, stands in Kiener Plaza.Credit…Michael B. Thomas for The New York Times

At the beginning of your walk, it’s worth lingering at the “Pillars of the Valley” installation, which humanizes abstract tales of the mid-20th-century’s federal urban renewal program. As the writer Walter Johnson puts it in “The Broken Heart of America,” his book about the city’s racial politics: “History in St. Louis unfolded at the juncture of racism and real estate.”

Continue along Market Street, where you’ll be swept along with a downtown work crowd, past the beautifully restored St. Louis Union Station and the St. Louis Aquarium at Union Station. Soon you’ll reach Citygarden, a cool, urban sculpture park where bubbly fountains and colorful flowers are on full display — along with St. Louis’s sizable downtown homeless population who, on the day I was there, seemed to prefer hanging out in this garden. Standing nobly in nearby Kiener Plaza, briefcase in hand, is a bronze sculpture of the attorney Frankie Muse Freeman, appointed in 1964 as the first Black woman on the U.S. Civil Rights Commission.

A stately classical building with large fluted columns has a green domed section behind the main part of the building. In the foreground is a green street sign attached to a pole that says "Dred Scott Way."
The Old Courthouse is the site of the landmark Dred Scott court case in which the Supreme Court ruled in 1857 that Black people were not entitled to citizenship.Credit…Michael B. Thomas for The New York Times

Freeman’s statue sits in the shadow of the Old Courthouse, the site of the landmark Dred Scott court case in which the Supreme Court ruled in 1857 that Black people were not entitled to citizenship. The Old Courthouse and the surrounding area is currently undergoing a major renovation, which at $380 million is billed as the largest public-private partnership in the history of the National Park Service.

As you continue your walk toward the Mississippi River, you’ll likely see throngs of tourists gathered at the base of the 630-foot-high Gateway Arch, snapping photos in the plaza. The majestic arch, plagued by its own history of displacing poor Black residents during construction in the early to mid-1960s, is Brickline Greenway’s final stop. If you’re hungry after the two-mile stroll, you can stop at the park’s Arch Cafe, which boasts an eclectic farm-to-table menu that includes everything from St. Louis ribs to toasted ravioli. (Many locals favor Kimchi Guys, a Korean eatery just north of the Arch on Laclede’s Landing.)

People walk along a wide path surrounded by trees and grass in a parklike setting. To the left is an older building with a green dome and numerous windows. In the background are modern urban buildings.
The Old Courthouse and the surrounding Gateway Arch area are currently undergoing a major renovation.Credit…Michael B. Thomas for The New York Times

Or you can do what I did: Look out at the Mississippi River, thinking of the challenges St. Louis faces in breathing new life into Black neighborhoods while avoiding even more racial strife. Brickline Greenway seems to be spiriting the city in a positive direction. But as history proves in St. Louis, bringing white and Black people together is rarely a walk in the park.

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